Monday, March 05, 2007

Early 2007 with C and strangers, at HK Worldwide Carnival

Late 2006 with Jason, my mere postgraduate spiritual supporter, at Seoul

Mid 2006 with Kyle, my best hun forever

Mid 2006 with Elliott, my ex-student


Early 2006 with my laptop at ABQ, New Mexico


Mid 2005 with little doggie at Bangkok


Mid 2004 with a bunch of students (out of frame)
at England

Early 2004 with Antony, at SJC

歲月跟年華,青春被燒下。不得不承認,跟最初的我,已老了十歲。有相為証。
道道道,非常道。殘殘殘,超級殘。

英女皇
可能是入場時太累的關係,總覺得此片沒有如外間褒得那麽厲害。厲害的反而是 Helen Mirren,看過HBO 的 Elizabeth I的人就會知道這個老牌英國演員如何把兩個女皇的放蕩,不安全感和保守一面現觀衆眼前。
外界一直指戴安娜皇妃是受害者,我想這片便是要將這觀點反過來,全片沒什麽高也沒什麽低,就有如英女皇的作風,喜怒不形於色。我們不知道她想什麽,全片也沒有提及過她的名字。她是The Queen,有的是職銜,地位的稱呼,根本沒有個性可言。戴安娜皇妃則剛好相反,有的是熱情,態度和青春,作一些社交gesture來塑造自己的形象,亦因而深得民心。英女皇和皇妃,誰是忠誰是奸,誰是劊子手誰是羔羊,劇本沒有下註腳。又可能這些二元對立由始至終就是傳媒煽動外界虛構出來。
縱是如此,全面最精采的一個鏡頭說明了一切。 在皇妃葬禮中,全場掌聲雷動,女皇深鎖眉頭,一個剪接位,便把戴妃生前一個轉頭回眸的一剎那插入,慢鏡,眼神似是在說:我贏了。這是一場心理戰,有點金枝慾孽的感覺。
在權者根本不怕權力被奪去,怕的只是得不到民心。這個後殖民香港已說明了一切。
金獎像名單出了,<門徒>趕不及上機,換言之,贏家又會是杜琪峯。

最佳電影: 黑社會以和為貴

最佳導演: (未決定到)

最佳男主角: (五齣都無睇,算啦,豪俾郭富城)

最佳女主角: 梁洛施(伊莎貝拉)

最佳男配角: 任達華(黑社會以和為貴)

最佳女配角: 田蕊妮(師奶唔易做)

Friday, March 02, 2007

一向不太喜愛她的歌,太膩太重。這是繼《爭氣》後我沒有感到煩厭的。
http://joeyforum.com/diego/lovin-joey-forum-070208.mp3

多得天 有幾何 走一個接多一個。

Wednesday, February 28, 2007

再撞車
近日真的很忙,最好每日多給我幾個鐘頭,把自己的事情慢慢辦好。雖然如此,今日抽空返了港大聽個關於 Crash (2005) 的 roundtable。真的要感謝神,很久也未聽過這麼有見地的說話了。終於有人肯用腦去思考過才去說話。Roundtable 說過很多有見地的偉論,有讚有彈,不竟此片是歷屆奧斯卡第三不賣座的最佳電影,無論如何,我還覺得它比 The Departed 優勝得多。
其中恩師 Gordon Slethaug 說全片裡的種族主義都十分隨機 (random),因此他起了一個名詞叫 'random racism'。反而有趣的是完全看不到有主角會很 intentional 地去針對跟自己皮膚顏色不同的人。既然沒有了 intentionality,很難去理解這片應怎樣去表達出現實社會狀況 (realism),因為那些關於 race 的 hatred 已經沒有了源頭 (origin)。
我想了一想,很對。也都開了竅。人生根本就是 random,完全可以用 chaotic theory 去解釋。我們找到什麼工作,愛上了什麼人,全部都是由機會控制。機會和運氣出現與否是十分隨機。我們的人生就是等待,停留和離開。然後把整個 cycle 重新再來一次。既然生活來得這麼 random,跟隨生活的問題和煩惱也會因 randomness 而產生,racism 也不例外。
撞車是意外,意外是 random。如果 random racism = crash,那麼 intentional racism 就會等如 non-crash。所謂 non-crash 就是我們相安無事的生存時刻。想想自己憎恨的人,你會找到你的 intention 嗎?

Tuesday, February 27, 2007

農曆年假過了, 總算過得可以。 我這已很滿足了。

早上看了OSCAR的直播,很叉悶。主持人 ELLEN DEGENERES 的表現頗失色,有點吃力不討好的感覺。男女主角一早已十分明確,配角卻有點意外。最不應得獎還是 THE DEPARTED。馬田攞導演獎只是因為同門 ROBERT ALTMAN 今年去逝,同樣是AUTEUR,但獲OSCAR N次提名,零次得獎。現在還不趁健在時頒,到死了後又追頒,未免有點尷尬。所以大會也懂'珍惜眼前人這個道理',我們應多多學習。

在高記教完書後,抽着煙由半山行到中環,天氣很爽,舒服。到 PAGE ONE 逛了個多鐘,買了三本書。希望有時間快看一次吧。其中兩本和哲學有關,另外一本則和愛因斯坦的理論有關,好像頗有趣。看畢後,遲些在這裡再詳談。

今天在新聞中看到精英大師退役的消息,還訪問馬主感受。那個上流社會的說到一半便聲淚俱下。還說政府打算在08奥運後就會建設些'休養'場所給一些馬王生息生息,而香港的年青一輩還可到那裡一睹它的風采。這個社會攪什麼? 有成大排人家庭總收入低於七千蚊,卻不肯去理,有西九又不肯去攪,但又偏偏鍾意倒水養馬?在香港做上流社會真好,可以不食人間煙火就有錢從天跌下來。星期三的財政報告預算案最好減稅兼退稅,否則有更多的香港人便會去金沙拼多幾次74萬。

拿了王菲的<寓言>出來温一温舊歌。聽到TRACK 7,人便停下手頭工作,看看歌詞。是這樣的:

把燈關上,連背影都不會存在,甚麼時候,誰答應過,天亮會否定所有黑夜,我們擁有的多不過付出的一切。

明天在HKU有 CRASH 的ROUNDTABLE,晚上還要練一個鐘波。練練練,把抬!又無正選做。根本就好過另一個中間。頂!

Thursday, February 22, 2007

腦裏不斷重覆着關淑怡<衆生花>的頭兩句。拿了個melody (也是頭兩句),自己寫了以下的隨筆,一抒感興,可知應景非常。


疑心生暗鬼
汗流入谷底
懷疑聲
懷疑色
懷疑多壯麗

寧波車再懂
未明白心胸
悼念眼睛吻別耳朵
叮囑下世切勿重逢

結舌瞠目 痛有幾痛
道聽途說 瓊瑤作動

由筆尖帶出
軀體的空虛
物似空
空似色
無物偏高貴

手指笨也好
秘密不泄露
寫得太明解得太多
自己吃虧再無底細

紅豆不生南國
春來卻剩枯枝
好好土壤 變作賤泥
稍作靜息 凡事無為
姑息前度 福蔭後來
水滌心頭 荷花綻開

<門徒>是少有可以推崇的港產片,對上一齣高質素的本地製作己是杜琪峯的<黑社會>。很有趣,值得我們看的港產片永遠是把香港拍得霉霉爛爛,<重慶森林>、<花樣年華>、<伊沙貝拉>、很多很多。看戲時總是覺得濕氣很重。
演員做得好,就連吳彥祖也頗稱職。最出色的還是劉德華,張靜初和導演爾冬陞自己。這電影是劉華繼<大隻佬>後最能令人上心的作品。恰到好處,太温也不太火。最難忘還是幾幕突然之間狂燥起來的演出,應得最佳男配角。
此片也有幽默之處:說白粉是末落工業,說製毒的和其他大商家一樣剝削第三世界農民,說小宝一味掛住打網球,有正當的上下班時間,而吳彥祖則一日做卧底。最好笑的還時破案後,老頂叫吳彥祖多進修英文,增值自己。全片最差的還是古天樂,一點也不像道友。而造型則更敗筆,有如 Pirates of the Carribean 的Jack Sparrow (Johnny Depp) 上身。
片名叫 Protégé, 我猜是意大利文。此字早在1778年便出現,而且除了解門徒或跟隨者外,還有 'protectee'的意思。片中開頭已說明人吸毒是源於空虛。空虛很空虛,吸毒也只是其中一個敗壞自己的方法。由此看來,戲中每一個角色也是 protégé,一直在尋求外界事物來保護自身。

Wednesday, February 21, 2007

我們的耳朵可以再張開了。陳輝陽加林夕的作品:
<眾生花>
蓮花色似空 為純白精忠
恨吻着風 一煽動 睡蓮被染紅
曇花一秒鐘 任蝴蝶簇擁
為記念過客那份痛 到下世重逢
眾生失控 夢到劇終
黛玉知痛 化作落紅

如水仙最懂 自憐在水中
夜蜜蜂 香暗動 被緣份撲弄
誰惜花也懂 蜜糖為播種
歲月叫花瓣放鬆 轉眼不再紅
眾生失控 但美豔般蒼穹
十方起鬨 红顏不易種

Monday, February 19, 2007

今年我已經沒有像以前般期待奧斯卡,可能是今年好戲太少吧。另外,每個獎狀都好似呼之欲出,驚喜也不會多。最有懸念的還是最佳電影和男女配角。還有,現在十齣提名電影八齣都沒有在香港上過,就算得獎,也欠了認同感。

Performance by an actor in a leading role
Leonardo DiCaprio - BLOOD DIAMOND
Ryan Gosling - HALF NELSON
Peter O'Toole - VENUS
Will Smith - THE PURSUIT OF HAPPYNESS
Forest Whitaker - THE LAST KING OF SCOTLAND (必贏)


Performance by an actor in a supporting role (最激烈的組別: Jackie Earle Haley, Eddie Murphy 及Mark Wahlberg也分別在今年嬴過)
Alan Arkin - LITTLE MISS SUNSHINE
Jackie Earle Haley - LITTLE CHILDREN (亂揀)
Djimon Hounsou - BLOOD DIAMOND
Eddie Murphy - DREAMGIRLS
Mark Wahlberg - THE DEPARTED

Performance by an actress in a leading role (全部阿姐級)
Penélope Cruz - VOLVER
Judi Dench - NOTES ON A SCANDAL
Helen Mirren - THE QUEEN (無得輸)
Meryl Streep - THE DEVIL WEARS PRADA
Kate Winslet - LITTLE CHILDREN

Performance by an actress in a supporting role (Cate Blanchett 己經在04年憑 Aviator 贏過,再攞獎機會不大。無估錯的話 ,女配角應該是在 Babel 中二揀一 ,我揀西班牙女人都唔揀日本妹)
Adriana Barraza - BABEL
Cate Blanchett - NOTES ON A SCANDAL
Abigail Breslin - LITTLE MISS SUNSHINE
Jennifer Hudson - DREAMGIRLS
Rinko Kikuchi - BABEL

Best animated feature film of the year (I don't care - 三套都是爛片)
CARS
HAPPY FEET
MONSTER HOUSE

Achievement in art direction
DREAMGIRLS
THE GOOD SHEPHERDPAN'S LABYRIN
THPIRATES OF THE CARIBBEAN: DEAD MAN'S CHESTTHE PRESTIGE

Achievement in cinematography (唔知,五齣都miss咗)
THE BLACK DAHLIA
CHILDREN OF MEN
THE ILLUSIONIST
PAN'S LABYRINTH
THE PRESTIGE


Achievement in costume design (我看奚仲文可能會嬴)
CURSE OF THE GOLDEN FLOWER
THE DEVIL WEARS PRADA
DREAMGIRLS
MARIE ANTOINETTE
THE QUEEN

Achievement in directing (擺明就是敬老要俾馬田史高西斯,但我根本唔知佢有セ咁好,我揀 United 93)
BABEL
THE DEPARTED
LETTERS FROM IWO JIMA
THE QUEEN
UNITED 93

Achievement in film editing
BABEL
BLOOD DIAMOND
CHILDREN OF MEN
THE DEPARTED
UNITED 93

Best foreign language film of the year
AFTER THE WEDDING DAYS OF GLORY (INDIGÈNES)
THE LIVES OF OTHERS
PAN'S LABYRINTH
WATER

Achievement in makeup (whatever)
APOCALYPTO
CLICK
PAN'S LABYRINTH

Achievement in music written for motion pictures (Original score) (no idea)
BABEL
THE GOOD GERMAN
NOTES ON A SCANDAL
PAN'S LABYRINTH
THE QUEEN

Best motion picture of the year
BABEL
THE DEPARTED
LETTERS FROM IWO JIMA
LITTLE MISS SUNSHINE
THE QUEEN


Adapted screenplay
BORAT CULTURAL LEARNINGS OF AMERICA FOR MAKE BENEFIT GLORIOUS NATION OF KAZAKHSTAN
CHILDREN OF MEN
THE DEPARTED
LITTLE CHILDREN
NOTES ON A SCANDAL

Original screenplay
BABEL LETTERS
FROM IWO JIMA
LITTLE MISS SUNSHINE
PAN'S LABYRINTH
THE QUEEN

Wednesday, February 14, 2007


今天一口氣買了四隻VCD (龍鳳鬥、傷城、滿城盡帶黃金甲以及 Running with Scissors),連同在家裡打算要看的 (當然包括 Lucky Louie Season 1),應該可以應付一個農曆年假有餘。這個假期應該是這樣過的:睇碟,寫作及閱讀。

我想快點起了劇本的初稿,會否太深奥?仍是未知之數。名就有了些眉目,可能會叫做 I for Illness

也正因為這原因,今天又對身體思考了一會。身體是會孤獨的,是會肚餓的。要吃的不是食物,而是觸摸。記得當代小說家 Hanif Kureishi 說過我們小時候的身體很吸引,一出世時醫生就用雙手把我們帶到世界上。親戚朋友總是會爭着抱我們,摸我們的臉脥,多久也不厭。成長後,發覺與人的確實接觸越來越少,每天摸着手机和Keyboard還多過摸自己心愛的人。對一個沒拖拍的人來說,現在要自己的身體被觸摸,通常要先附出金錢,看醫生,去按摩,去召妓就是了。從那個時候開始我們會吝嗇自己的身體,又是幾時我們的身體變得這麼矜貴。把身體豁出去就是放蕩,難道收起來又顯得上等?身體不被觸摸又怎知道它確實存在?

情人節,祝愛過我的幸福快樂,不愛我的更幸福快樂。

Tuesday, February 13, 2007


『這山頂何其矜貴 
怎可給停留一世
只得很少數伉儷
在這風景線上建築關係
這山頂如何高貴 
似叫人踏上天梯
可惜像霧都污穢 
令這海景變成個謎
甚至灣仔也漸覺縮細』
在芬梨道上看着香港的夜景,頗大霧。想了一些人物和事件,有新的也有舊的。想起了兩首關於視野的歌:<濛>和<大開眼界>。看清楚原來會是這樣忍痛承受,看不清反而可以留一條狗命。怪不得現在有這麽多人近視了。
我家不富裕,沒有住上芬梨道,炮台山道就是了。水鬼升城皇又有幾多?我憑我的雙手擁有的就是這麼多。要學會欣賞然後支持我,站在我背後一起向目標出發。我開始相信「生有限,活無限」-這是我豬年的生存之道。

Monday, February 12, 2007

Louise Gluck

近來 New Yorker 登了一些我頗喜愛的 poems,大抵也和愛情有關。想在這裏和一些時常 update 我的 blog 的人分享。今次這篇較長,但請保持你的耐性,加上文字也較淺白,很容易讓人明白,我看完之後只得「無奈」两個字。由熱戀到白頭,也許真的要有些事情隻眼開隻眼閉。總之兩鬢斑白時,他還認得你就算值得了。
NOON by Louise Gluck
They're not grown up - more like a boy and girl, really.
School's over. It's the best part of the summer, when it's still beginning -
the sun's shining, but the heat isn't intense yet.
And freedom hasn't gotten boring.
So you can spend the whole day, all of it, wandering in the meadow.
The meadow goes on indefinitely, and the village keeps getting more and
more faint -
It seems a strange position, being very young.
They have this thing everyone wants and they don't want -
but they want to keep it anway; it's all they can trade on.
When they're by themselves like this, these are the things they talk about.
How time for them doesn't race.
It's like the reel breaking at the movie theatre. They stay anyway -
mainly, they just don't want to leave. But till the reel is fixed
the old one just gets popped back in,
and all of a sudden you're back to long ago in the movie -
the hero hasn't even met the heroine. He's still at the factory,
he hasn't begun to go bad. And she's wandering around the docks, already bad.
But she never meant it to happen. She was good, then it happened to her,
like a bag pulled over her head.
The sky's completely blue, so the grass is dry.
They'll be able to sit with no trouble.
They sit, they talk about everything - then they eat their picnic.
They put the food on the blanket, so it stays clean.
They've always done it this way; they take the grass themselves.
The rest - how two people can lie down on the blanket -
they know about it but they're not ready for it.
They know people who've done it, as a kind of game or trial -
then you say, no, wrong time. I think I'll just keep being a child.
Just your body doesn't listen. It knows everything now.
It says you're not a child, you haven't been a child for a long time.
Their thinking is, stay away from change. It's an avalanche -
all the rocks sliding down the mountain, and the child standing underneath
just gets killed.
They sit in the best place, under the poplars.
And they talk - it must be hours now, the sun's in a different place.
About school, about people they both know,
about being adult, about how you knew what your dreams were.
They used to play games, but that's stopped now - too much touching.
They only touch each other when they fold the blanket.
They know this in each other.
That's why it isn't talked about.
Before they do anything like that, they'll need to know more -
in fact, everything that can happen. Until then, they'll just watch
and stay children.
Today she's folding the blanket alone, to be safe.
And he looks away - he pretends to be too lost in thought to help out.
They know that at some point you stop being children, and at that point
you become strangers. It seems unbearably lonely.
When they get home to the village, it's nearly twilight.
It's been a perfect day; they talk about this,
about when they'll have a chance to have a picnic again.
They walk through the summer dusk,
not holding hands but still telling each other everything.
今晚打排球又扭親隻右腳啦。其實自己每次都好小心,知道如果再有什麽差遲,隻腳就不能再做運動了。所以真的很怕和一些不懂打的人一起打。現在敷了些葯膏布,但已經感到不妙了。頂! (講十次) 希望明早起床可以行得走得啦!年紀大,機器己經壞了好幾年。估唔到壞完又壞。
我很想告訴你們,但我真的不敢,我就有如謝安琪,怕小器,怕中口卦,不想節外生枝。我負担不起。
好讓這個星期快點過去,我便有多些時間做自己的東西。還有很多DVD要看,最緊要還是把論文的 Conclusion寫好,初稿便終於完成了。自己也能鬆一口氣。

小恩小惠,足夠令我開心一世。

Saturday, February 10, 2007

終於一百個

不經不覺,這已經是我個 blog 第100個 post 啦! 開頭也不在意,但我 log in 個 account 時才發覺這個重要時刻。好,來個蛋糕贈慶吧!今年生日的遺憾就是吃不到最心愛的拿破崙蛋糕。反正這種蛋糕根本插不下蠟燭,換句話說,生日吃不到它就好像很有邏輯,跟其他原因無關。與其等有心人有誰共鳴,倒不如自己遲些去 Mandarin 或 Conrad 走走,自己跟自己浪漫一番。現在想吃的還有在 Great 買的可樂軟糖和鵪春蛋燒賣。

Friday, February 09, 2007


Breaking and Entering

昨晚看了Breaking and Entering,事前已做足心理準備,抱着零期望的心情去入戲院。當我知道外國影評人把此片彈得一文不值時,心裡也起了猜疑。沒理由吧!不竟導演是Anthony Minghella (The English Patient, The Talented Mr. Ripley),絕無可能得個C-,比起咒怨2還是差。早陣子看完Clint Eastwood的Flags of Our Father己經好不明白為什麼有資格被提名金球獎最佳影片,再加上Breaking and Entering並是那麼差 (雖然也不是最好-太多對白,說得太明,又有點故弄玄虛,而又大少空間給觀衆思考,但也有張力,戲味還可以,大抵也值個B),只好說句今年好片真不多。本人選擇還是United 93。
偷情片近來彷彿成為了一個熱門的主題:Mike Nichols的Closer 跟Woody Allen的 Match Point 就是好例子。前者剖釋偷食是基於 love at the first sight;後者則說到大話被揭發與否就看看你的彩數。有運起來,殺了人也不用填命。Breaking and Entering 說的也是偷情,但角度則不同。所謂 'breaking' 就是 'entering'的其中一環。有些事情必須要先被破壞,才能安然健全,鞏固起來。愛情便是一個例子。Jude Law偷食過才知道女友Robin Wright Penn的大愛,而兩者的關係才能由疏離變成commitment。這段感情線在戲中着墨不多,離離又合合,有點兒令人摸不着頭腦。但想深一層,女方只不過是 attention seeker,要的就只是男友呼天搶地的把自己爭回來。只不過男方一直自建障礙,還是要放蕩一下才安樂。
人生也是如此。那個年青人在開場時永遠要打爛(break)玻璃才能進入(enter) Jude Law的office 偷電腦。但最後兜兜轉轉認了個錯,還能堂堂正正地步入 office裏跟他道歉和道別。不用偷偷摸摸,反而挺起胸膛。能夠成仁上了一課只是別人肯多給一個機會。先破壞,後建設,這個人生及愛情觀真的十分解構主義 (deconstruction)。
我們的現實生活又有多少東西可以在摧毁後再重生?人與人之間的感情太疏離了,還要忍受breaking的痛苦才能達到化境(enter a new phase),看來生存真的需要技巧和忍耐力。

Wednesday, February 07, 2007

大才與小用
今早做事很不爽,十點鐘己發了個脾氣。事源我要做的工作實在太「濕碎」,掛名是edit教材,但實在就是對住個Word document執format。有時候有東西要改動時,大多就要憑空想像。原本第一稿己是寫得不好,經過鬼婆改過後就更奇怪。她會用拼音打中文,但文法全錯,又多白字。要我改,怎改?
近日在母校開始逢一、三教一個鐘頭remedial英文。坦白說,為錢吧!最怕是見到愚昧的一羣,又無禮貌。最弊就是你不能過於動氣,他們不竟是細路,完全不懂性。只不過是在學校,並不等於我沒有想過兜巴星死你。你走運了,但切忌過份,每個人的運也有用盡的一日。
今晚只是和Adrian在合發吃了個快飯 (其實只得我吃),很早便回了家,十點多便睡著了。反正再不用打怪獸,為何不可?但自從分手後就是睡得不太好,兩個多星期來,間中也有惡夢。個多小時前才發了一個。點幾鐘醒了,可以做什麼?外面好靜,很想出去走走。
這刻的歌:梁詠琪《等人》
---------------------------------------------------
我愛抽煙 但更愛聽煙草被燒的聲音
我愛睡覺 卻又稀罕身體被抱的質感
二時三十分 在等一個人
一個在二時打過電話給我的人
--------------------------------------------------
離開我 離開過 離開永遠離不開自我
談工作 談水果 曾幾何時什麼都笑過
理想嚒 旅行嚒 二人行怎會變做單拖
唯有想 自己是 鐵膽一號會否較好過
七四二十八 數口精又代表什麼
面對怪獸時 還是不敵它一團火
這個世界沒太多超人
少個哥斯拉 少個感情殘障人
就可造就繁華盛世的戀愛氣氛

-------------------------------------------------

Tuesday, February 06, 2007


昨年今日

如果程小姐的大批是準確的話,我己經行了人生的一半。我不介意,也不太正乎。我只是想如果要我在未來的廿八年過着過去廿八年的生活,遇上差不多的人,再經歷多一次各種的人生高低,我會願意嗎?你會嚒? 想着,想着,一切也二O四六起來。未來就是過去,現在就是當下,也只是一個timeless的中和點。


生日過得很安然,心情沒什麼大上大落。和應見的人吃過飯,收了一些禮物,喜歡與否,也會珍藏。收到了一隻馬里奥,有點不知所措,真不知反應什麼。腦裡也重覆地唱着任天堂流淚的第一句:看,馬里奥為情人蜘蛛都去擋。


今年決定用打牌的方式打去自己的生日,可惜被清櫃了。糟糕,牌太弱,對手強了!


欠缺的是還未吃生日蛋糕,沒有拍照,還未許願。本來想網上找張"28"的相,貼上來,但找不到。原來年齡是虛的,怎樣也記錄不下來,留得下來的只是28歲的我們,並不是"28"本身。我要今年更實在。


你是我一個好好好好好的好朋友。攪什麼? 我們還在八十年代嚒?
在此僅多謝媽媽的Paul Smith Knitwear,Joseph的手寫板,Charles的Y3帽,阿Ha和阿胆的波鐘錢,Robert的一切。未見的人,我還會見,最重要的是你們還在我身邊。

Wednesday, January 31, 2007




不知為何, 這两天也不斷哼着<如果你有事>. 多么不祥! 愛突然又有效, 突然又過期, 狠心的你, 亂了的我, 仍.......... 苦戰九年, 遊歷無數, 但最終難免成為自由行, 不在意就怪了. 一想再想, 也不外乎是龍鳳大戲一場. 我可會是新光戲院或是利舞臺, 不怕有戲上演, 只怕叫好不叫座, 到最後還要清拆.雖全院滿座, 但總有散場的一刻, 只希望來看戲的把票尾好好保存, 他日如若和朋友談論過去時, 可憑票尾換取回憶, 溫故知新, 證明你也有用心看過戲, 看錯與否, 則有所保留. 但你又可知那些票尾是用來換領一隻卡地亞戒指? 忙, 忙, 忙, 我也會忙, 現在就忙給眾人看. 一句<生日快樂>本是來得自眨, 那又何來矜貴? 在圖書館裏把新書隨手翻開, 看到Samuel Beckett的作品. 我們唯有在穹蒼下共勉之:

they come
different and the same
with each it is different and the same
with each the absence of love is different
with each the absence of love is the same

Monday, January 29, 2007

From Sister:
有時候太著眼看會令人暈眩,放開點便能見廣一些。平常心是很難求,但當你發覺只有自己的心是可靠攏時;平常一點也未嘗不可。沒有人想生活得額外失落吧?!

Thursday, January 25, 2007

<剩下, 光年>
"光年" 時常被人誤解.
它指距離 並非時間
時間 我時有時無
距離 才與我常在
愛不起 襯不上
對得起 但心不上
這就是差異
差異編寫距離
有距離 人才會遲到
來不及的還有時間
時間從來甚少守時
所以
我放棄了戴錶
光年 很遠 很遠
跟永恆無異
永恆是幻想 是空想 我想 我想
永恆存不存在
怎證明
因為我們永遠比時間命短
我們 只可以向前走
告訴自己前面就是了
是了 是了
到了 到了
不了也要了
很想念過去愛得瘋狂
愛得驕傲 愛得任性的日子
現在很理性
多了忌諱 少了感覺
有了目標 欠了認同
剩下 還有路要走
有多少 只有多 永無少
走得起 也要和光年
鬥命長

Tuesday, January 23, 2007

A stupid lady from an agent called me this morning and asked me to go to Fanling to teach a 5-week F.7 remedial course. She gave me flattery, saying that I was so capable and experienced (all of a sudden?). I said it's too far away and I'm too busy. She said she would raise the price for me. I asked for 900 for 2 hours. She said she'd consider it.

After I hung up, I realised I had to attend the postgraduate seminar every Tuesday in HKU and it clashed with the Fanling schedule. In order not to waste their time and energy on the money negotiation, I called back and told them not to bother anymore. She told me "Nevermind, we could only afford $250 per hour only". Cunt, you gotta pay for the right people.

Another woman. She proposed that I should meet the boss once again in the future. Today, I asked her to kindly schedule it for me. She said, "I'm not sure if the boss wants to see you." Fuck x 1000. I am sure I know how to pronounce 'grin' correctly.

My heart filled resentment and unrecognized anger, I took the MTR to Admiralty and changed the bus there to get back to HKU. I stopped by my office to get back some notes and some books for the final chapter of my thesis. Then I went to Swire Hall canteen. I was surprised that it's already closed at 8pm. What kind of canteen closes during dinner time? I've no idea. I took a taxi to the McDonald's near the indoor volleyball court. When I was placing my order, I noticed the restaurant was playing 小飛俠. I froze for a few seconds, enjoying the sudden attack of the 窩心 feeling: "陪你渡過春天 陪你渡過秋天 陪你直到冬天我怕與你沒法一起蛻變".

Next to me, there was a girl in her school uniform. She seemed to be a friend of the cashier girl. They looked like, so I guess they're friends. The cashier girl proudly told her that she could give her a discount on the food. I felt that their lives were easy, worriless, or maybe goal-less. What kind of future would they have by selling hamburgers? Maybe they're already comfortable with what they have. At least they looked happy.

Curry Pork Bun combo with a crawfish soup (a.k.a fake lobster soup in my dietary language), I got a call from Charles. He's also heading to McDonald's to get the same combo? At that moment, I felt better. I knew I was not the only one.

從前有個男孩夜裡說想約我於森林見面.........

Thursday, January 18, 2007

1:13am. I opened my copy of Tao Te Ching and turned to chapter 23. It reads:

Express yourself completely,
then keep quiet.
Be like the forces of nature:
when it blows, there is only wind;
when it rains, there is only rain;
when the clouds pass, the sun shines through.

If you are open yourself to Tao,
you are at one with the Tao
and you can embody it completely.
If you open yourself to insight,
you are at one with insight
and you can use it completely.
If you open yourself to loss,
you are at one with loss
and you can accept it completely.

Open yourself to Tao,
then trust your natural responses;
and everything will fall into place.

How far can we understand this? Even if we do, how much is it going to help? Then, what?

Wednesday, January 17, 2007

我心中的你深得見骨 
怎會想到跟你想法有出入 
願你抽半秒想想 往日

Tuesday, January 16, 2007


I know I should be sleeping right now. Yet, mid-night hunger and the tormenting heat between the blankets woke me up. I need rest; I've waken up not to. I will see the big boss today. Somehow, I feel like meeting godfather of the mafia. Not knowing what to do, but show your individualism and dedication to the cult. Not sure if they would make good use of me. I wish they would. Let's see how far my luck can be pushed.

These days, I realize that WORK has the following functions:

[1] It keeps you occupied, and makes you feel that time flies faster than it should be;

[2] It drains you out, so that you could sleep soundly (sure?) at night;

[3] It gives you a chance to accumulate some topics to talk to your friends at night;

[4] It keeps you busy and therefore gives you a label as a 'usuable', 'practical', 'meaningful' and 'functional' being.

My current part time job does not have much to do. Most of the day, I spend my hours at my desk working on the msn chatboxes and reading the papers I downloaded from Jstor for my research. People are nice, nicer than I expected. Maybe it's not yet time for competition. Still, I adopt a rather reclusive approach. Sometimes, I peep at my silenced phone. No one calls, no missing call. Then I go back to my 'work'. I have several smoking break per day, which could be the most liberating moments at work, I guess. Not that I long for a smoke, but that I could somehow stand within a space on the ground. It makes me feel more solid and existential.

The last semester will start in 2 weeks' time - probably the last semester I could have in the near future. What could I make best out of it. I certainly miss the people there. I regret not getting close to Esther Cheung, whom (I assume) I could talk a lot to. I regret not sitting in Abbas's classes when he's still here. Well, for Gina, she is nice, though she still has not read my stuff. Incredible. I also miss Jason and Tiffany, who are basically the most immediate comfort during these two years. I miss the library, my pigeon hole, the classrooms and the smoking areas.

差不多4:45am la, it's time for you to get up for work.

睡得好嗎? 有想起我嗎?

I had a nightmare about you, which woke me up.

記得吃點早餐, 空肚工作無益!

A LOVER’S EARLOBE (temporary draft)
by Nicholas Y.B. Wong (copyright)

Dedicated to Robbie


The head tilted slightly,
your left ear’s exposed
in the open air. A protest:
life’s too heavy, you exclaimed.
Removing part of your ear helped
relieve the weight.

Nothing was lighter than the moments we
shared. Your gospel words intruded my
ear: a folktale about a hole on the earlobe.
Someone had to fill it up, a sacrifice.
A thread of silk sprouted and reached
my cap. Hair obscured to reveal your
history and renew a part of it.

Earrings foregone,
your past foretold.
The aperture lured desire to drop by.
I listened to the mourning and yearning
the hole collected. The slit mystified the
contour of your left pinna.

Unblock the ear after it’s identified.
That’s the way an ear distinguished
a lover from the deaf crowd.

Monday, January 08, 2007


Blue Song
I am tired.
I am tired of speech and action.
If you should meet me upon the
street do not question me for
I can tell you only my name
and the name of the town I was
born in - but that is enough.
It does not matter whether tomorrow
arrives anymore. If there is
only this night and after it is
morning it will not matter now.
I am tired. I am tired of speech
and of action. In the heart of me
you will find a tiny handful of
dust. Take it and blow it out
upon the wind. Let the wind have
it and it will find its way home.
Tennessee Williams

Thursday, January 04, 2007


我的生存之道

在這裡思索自己, 差不多可以哭出來.

Why did I resign four years ago? It was a job that provided me with 90 holidays a year and paid me nearly $20K a month (at the stage I resigned). The answer is easy: I have lost myself.

In 2007, I have set myself a series of goals. I would like to give myself one more chance - in fact, one more sign. I have submitted two of of my thesis chapters to two scholarly journals to see if they're interested in publishing them for me. I know it may sound too far-fetching and my critical thinking and writing may not have reached such a high level yet. Still, I want to try. People, if not now, when? The chapter on Haruki Murakami's ear has been sent to Journal of Asian Studies, while the one on Will Self's Cock and Bull has been sent to Critique: Studies of Contemporary Fiction. One more chapter on the nose (Nikolai Gogol) and the penis (Hanif Kureishi) will be sent out by mail to Men and Masculinities. I plan to write a few more poems and short stories by February, and hopefully send them to Upstreet (Vermont University) and another publication mentioned on the APWN website.

If luck comes to hit and shower me with any of them, I will reconsider if I am quitting the academic circle. 學術 is not a circle understood by many people. What is more difficult to comprehend is the life inside such an 'academic life'. Ever since I was small, I came up first in the whole class or school. I did average in secondary school. Not able to compete with the best, but absolutely much better than the worst. I seemed to have found myself in university. I met nice teachers, I picked the right subjects, I read the impressive books. I decided to move on. Thanks to Elaine Ho (the first cunt in my life), I chose to work.

Four years of teaching, I only enjoyed around 100 days. There were times I was in the classroom and I kept asking myself "Why am I here? Shouldn't I be in somewhere else?" It took time for consideration and courage to make a move. I know I could not afford any D-mop and IT clothes anymore if I go back to the campus. Anyway, I chose such a path.

I admit I am a picky person. I did forfeit some chances to earn some money that would make my life easier. I did it because I wanted myself to be completely focussed on my writing. My situation is a bit unusual. My origina supervisor left, then I was transferred to someone else, and then another transferal. So far, after 1.5 years of hard work and writing, no one has read my stuff yet. If there's a mentor, I would be less frustrated and even more productive. I have to say I already did my best and lived up to myself after my studies started. I have gone to three conferences, praised at two by someone I didn't know and won a cash prize. At that point, I thought I could really continue. I still remember this scene: Jonathan Hall from UC Irvine said to me: "I like your paper.....You're not doing a PhD? You should, I think you're talented". This is the first time I have been praised by some people in a different world in six years. I really need this encouragement, the positive energy to drill into my blood. I have achieved much more than the people of the same year.

Owing to different issues, my confidence seems to have gone. Studying is perhaps the only way I can find a real sense of satisfaction. But the point is who can allow a 28-to-be to keep studying in Hong Kong? I look at my parents. They raised me as what I am. I am not a good son at all, but I still want them to have a life to enjoy when they're old. There's nothing I could do to reward except looking for a real job that pays me really good money. I don't mind working at all. I have worked, spending 10 hours to mark assignment and only 15 mins for lunch and dinner. I was once a typical busy Hong Kong person, just that I didn't enjoy what I was busy with.

There's a struggle between my personal dream and my duty. I don't mind giving up myself for a while for my parents, just that I am worried if I quit the academia, I won't be back anymore since the people I know may leave or die somehow when I recognize I need to go back, again. If my family is richer, I would be doing my PhD at Princeton, an MFA in somewhere or even a PhD in creative writing. My friends, after I die, please bring my ashes to Princeton and scatter some over the lawn there.

Being too free is a problem, a nuisance, a weakness. Honestly, sitting in front of my desk thinking about what to do next is a torturing experience. Moving from company A to company B is easy because there's already another choice. If terms and conditions fit, you leave. If not, you stay, or you look for company C in your industry. For me, industry unknown, career unknown, job unknown.

學術 also requires a strong will. I just want to learn and write. Learning makes me happy. Knowing stimulates me. How many of us really identify such a passion? After identifying, how many of us would recognize, respect, encourage and value?

I have never been as frustrated about myself as now. I really want to figure out the road of my life.

Sunday, December 24, 2006


We're All in the Dance
Life's a dance
we all have to do
What does the music require?
People all moving together
close as the flames in a fire
feel the beat
music and rhyme
while there is time
We all go round and round
Partners are lost and found
looking for one more chance
All I know is
we're all in the dance
Night and day
the music plays on
we all are part of the show
while we cana hold on to someone
we know life won't let us go
feel the beat
music and rhyme
while there's time
We all go round and round
partners are lost and found
Looking for one more chance
All I know is
we're all in the dance
We're all in the dance
Andrew Holleran asked: "How can we distinguish the dancers from the dance?"
Facing the spectacular view of the Paris city, all we need is someone next to us to say, "It's so beautiful." We all know, by being there, the view is beautiful. What the other half says is not suggestive, but confirmative, reassuring us that in the world, there's someone to share our view.

Saturday, December 23, 2006


Time and What to Read

Chow Mo Wan (Tony Leung) in 2046 says: "People like me have too much time."

Chow Mo Wan is everywhere. It could be you, and it's definitely me, currently. Having too much time, to many people, is a kind of luxury. They would sacrifice money to get it; I would do the opposite. Not wanting to dig into the perplexing academic books, but still wishing to keep track to the academic domain, I choose to read some magazines - not the local tabloids (not to mention cable channel 13 is suffocating us with information we don't need to know).

Philosophy Now (http://www.philosophynow.org/) is an easy read and fun-to-read for people with a certain background and interest of philosophy and culture (both ancient and contemporary). Those thinkers (scholars worship them as 'great' thinkers) spent five to twenty years to write a book that needs at least years to decode. Then, one need to dig out the secondary resources on the debates on such books and their ideas. Possibly, it's going to make you age faster than you should, with a sense of helpless and bewilderment upon encountering difficult ideas. Yet the magazine provides people with a fast means to understand the basic framework of such ideas. I am not a fan of Wittgenstein, whose PhD thesis, I was told, was written in one paragraph. But I find the following anecdote very intersting:

One morning, when Wittgenstein appeared for breakfast I noticed he was not clean-shaven. (This was unusual as W was always so well presented.) "Ludwig," I asked, "are you growing a beard?" At this he looked angry and replied: "Not shaving isn't the same thing as growing a beard!" He paused for a moment then continued:"...though to grow a beard certainly requires one not to shave."

This issue features two articles that most interest me: Alan Kirby argues that postmodernism has been dead, and what we have been thinking as postmodern texts, or phenonmena, are what he calls 'pseudo-modernism', which requires a great deal of interaction from the audience or viewers. For example, Channel 4's Big Brother could not survive if no viewers phone in from the families, or the game shows would not have been produced if there's no participant contributing to the drama of the plotlessness of the programme.

There's another article (actually a film review), comparing two films about the 9-11 incident: United 93 and World Trade Centre. For people following my blog, it would not be necessary to stress how much I value the former than the latter. The reviewer, Thomas Wartenberg, points out how the structure of United 93 resembles a Greek tradegy. Interesting.

The English is plain and is written to make the readers understand, instead of arousing further confusion. Philosophy Now is published bi-monthly in England, but you can get a copy at Page One, rather regularly (HK$59.00).

It's time to think about ideas in relation to the culture we are situated in. There's no need to agree with the thinkers. Instead of being engulfed by our surroundings, I urge for a need to ponder on why and how (even though there's no possible escape from capitalism) we are eaten. A reflection is needed, and it needs time to take place.

Tuesday, December 19, 2006

W.H. Auden: Love requires an object.
"Language has not the power to speak what love indites:
The soul lies buried in the ink that writes."
John Clare
Thank you for meeting me on 14 November 2006, at Fortress Hill.
Thank you for existing.





Little Miss Sunshine (2006, USA)
Directors: Jonathan Dayton, Valerie Faris
Running time: 101 mins

I like watching films and TV dramas about fucked-up people. They're especially humorous and witty and bitterly sweet. Six Feet Under, American Beauty, Weeds and I am glad that now I have Little Miss Sunshine on my list.

The film is sketpical about the contemporary American culture, which in many ways, the global culture. Yet, it's also a fucked-up culture: a father who is too obsessed with the idea of winning though he himself is a loser career-wise; a grandfather who is proud of fucking so many women and occasionally sneaks into the bathroom to snort some heroin; a daughter who is intoxicated by the beauty myth and dreams of the winner of a beauty pegeant; a son who refuses to talk until he enrols into the air force and draws the portrait of Nietchze; a suicidal gay uncle who is a well-known scholar on the French writer Marcel Proust.

Interestingly, the wife is the most normal person in the film. She is not uptight about her housework, not the kind of sad happy housewife we see in Desperate Housewives. She just smokes twice in the film - I smoke more than she does! So, she's perfectly fine.

It's an independent film and also another road movie. All road movies are about the road, from the starting point (Alburquerque, Nex Mexico) to the destination (California). During the course, the characters would have a Joycean epiphany (i.e. a recognition, an awakening). The film offers a chance for the typical dysfunctional American family to reunite their bonding among each other. The film is recommended - it's entertaining, quick, funny and unpretentious.

"Life is a beauty contest after one beauty contest". This is not original anymore. We, as adults, know that our lives are not any easier than the school days. We blamed our teachers for making our school life so hard, but we could not blame anyone but ourselves after we leave our dreary campus. The importance here is not 'contest', but 'beauty contest'. Everything is about 'visual' now. The New York Times earlier published an article saying a film degree is as worth studying as an MBA in any famous institutes worldwide simply because film studies allows you to analyze visual language, which bombards us every day. The daughter (Olive) is bombarded by the beauty of Miss America; the uncle (Frank) was depressed because his boyfriend ditched him for another nice looking Proust scholar with a Maserati. What is beauty? The film may offer an optional answer: family love. For me, I will leave Alan Ball's works to answer this question.

One thing I should take note of is the ending. The DVD bonus offers four more alternative endings, among which, there is a more crazy one, which talks about how the family steals the trophy and the crown of the beauty contest despite the daughter's fucked-up talent performance onstage. I personally would like this ending rather than the official one, which is too predictable, too safe and too neat.

Monday, December 18, 2006

My recent favourite song:

還好我懂得抬頭走
更不須人援手
直到我遺忘你那碗粥比親吻燙口
今天愛過你的日後成為誰密友
離合不講理由 甜密不必持久
多少情人日夜相處仍淪為朋友
天大地大並沒並多少快樂時候
來來回回寧願在你掌心中向右走
尋覓我未相識的摯友

Saturday, December 16, 2006


人人都想有傾城之愛
似山伯英台 卻得到將來
人人都想有愛不完的愛
有天意青睞 但世上缺乏人才
"Shall I have to go away again,
leaving everything behind -
my research, my book?
Shall I awake in a few months,
a few years, exhausted, disappointed,
in the midst of fresh ruins?
I should like to understand myself properly
before it is too late."
Jean-Paul Sartre, Nausea.

Thursday, December 14, 2006

叱o宅組合新力軍: (金) Zarah (銀) 農夫 (銅) Project Early

叱o宅男新力軍: (金) 關楚耀 (銀) 杜汶澤 (銅)鄺祖德

叱o宅女新力軍: 衛詩 泳兒 (position not confirmed yet) (銅)胡琳

唱片: Human 我生 (古巨基)

唱作人: Most difficult category. Finalized later. Three out of these six: 軟硬天師 / 張繼聰 /張敬軒 /方大同 /梁漢文 / 王菀之

叱o宅組合: (金) Twins (銀) 軟硬天師 (銅) E02

叱o宅女歌手: 容祖兒 /何韻詩 (position not confirmed yet) (銅) 薛凱琪

叱o宅男歌手: (金) 陳奕迅 (銀)古巨基 (銅) 張敬軒 /側田 (not finalized yet)

This year's 叱o宅 results are very hard to predict, especially the 'bronze position' of all categories. I guess the top ten songs to date are as follows:

1. 愛得太遲 (古巨基)
2. 華麗邂逅 (容祖兒)
3. 小峽谷之1234 (薛凱琪)
4. 大大時代 (譚詠麟)
5. 光明會 (何韻詩)
6. 大愛 (許志安)
7. 愛你變成恨你 (吳雨霏)
8. 愁人節 (謝安琪)
9. 笑忘書 (張敬軒)
10. 好兄弟 (軟硬天師)

Uncertainty: Not sure if 903 will give the award to Alan Tam, if not, one of the following songs could appear on the list: 三生有幸 (鄭中基) / 紅綠燈 (鄭融)

Tuesday, December 12, 2006

Missing here for a while. My laptop broke down now and then in the past 3 weeks, owing to the curse of the octopus card I picked up in a taxi (which I used to buy 2 packs of Kent M3). I am not a digitial culture person: no MP3 (surely not MP4rrrrrrrrrrrrrr either), no i-Pod, no palm pilots, no blackberry, no PSP or NTS. But once my laptop breaks down, my life is so fucked up. I guess those cultural critics are right: we are all cyborgs now, we are so in debt to the machines, which not only form parts of our lives, but also part of our bodies. Anyway, my laptop is fine now, at least with my most important thesis backed up.

Another semester just ended and the new one would not start until 29 Jan. God - more than 1 month of time. Koa found a new job, which would occupy him more time, which means I need to be more independent (which I could, I guess) and I could do some reading finally. I also want a part time job, anything will do. I always fantasize myself working in a coffee shop and shit like that. Kind of charismatic and romantic. Anyway, I just finished the season 1 of Weeds, which surprised me a lot with the mean but witty lines. I also got myself two books (coincidentally both on existentialism): Paul Auster (same birthday as mine)'s Travels in the Scriptorium and Jean-Paul Sartre's Nausea. Maybe I should also go back to Beckett's Waiting for Godot and Camus's The Outsider if I have time.

People like me have too much time, too less to do. Wanting to buy a nice new jacket for the function that Koa asked me to go with him proudly as somebody of his, yet financial limitations are always with me. I have a bad habit that I can't get rid of - comparing myself to other people. I know I shouldn't. But I can't help it. My formal training told me that every individual is different and my mindset tells me that I don't give a shit to what people think. Yet, I still compare. I am going to be 28 in two months' time - I am still what I was. Hopefully, I will have one more degree by August 2007, which means I have 3 titles already: BA, PDipEd, and MPhil. Why the fuck would someone need 3 titles? Honestly, the current culture does not value this, meaning the people living in this culture don't either. I am fine with the way I suffice myself - yet my family and my partner are the one whom I need to support with my financial solvent. Speaking of work, god knows what the fuck I will do. Ask Susan Miller and Paddy Ching. My fate just has not got the signs for me yet.

Not being able to fit into the mainstream makes someone an outcast and the culture always thinks it is the outcast who has problems. That's why we have so many stupid self-help books in the market. Rule 1: don't read self-help books; Rule 2: burn self-help books; Rule 3: Write one if you wanna get rich as it doesn't take knowledge to write one.

28 - what will I be like when I am 28? I hope the people around me still admore me as what I am and remind me of this as well. I shouldn't be what I am not.

Koa sounded tired on the phone. SUM TUNG. I know you are doing your best. I love you.

屋雖細 有自由 不需品 懶擁有

家雖細 有自由 錢雖少 有溫柔

Tuesday, November 14, 2006


難道我走上露台賞燈 未察覺原來樓下有人
清高也有個價 唯有抽煙好

Monday, November 13, 2006

I was told to hold everything until 20 Nov. A few moments ago, when I was idling in the computer centre, I checked out Susan Miller again. She says:

"With many planets squaring off in fixed signs, every part of your life will require attention. Your boss, clients, family, or landlord, as well as your romantic partner will all want your primary attention."

I wish my boss could have said to me that she had read my stuff and would love to talk to me about it. Totally ZERO attention sought from any of the above, I'm such a transparent being in this world.
http://www.myheritage.com

Monday, November 06, 2006

Post-Korean days
I have been back from my Korean trip for exactly one week today. My life underwent an unexpected change, which I could not foresee before I departed. I feel that my life is totally direction-less. October was a good month, which brought me so much good news about my work/studies. There were things I was occupied with and I worked on that towards some goals. Yet, after I've finished everything, I suddenly did not want plans anymore. No plans, no work, no class, no whatsoever. There are times I walk alone in the streets among the crowds, thinking where I should be heading. I figure out that my life is built up to a certain point, after which I am going nowhere. Pretty fucked up, reclusive life resumed.

Saturday, November 04, 2006



ARTS in Gwangju Biennale - This should be what happens in our West Kowloon. Screw capitalism.