Tuesday, December 19, 2006

W.H. Auden: Love requires an object.
"Language has not the power to speak what love indites:
The soul lies buried in the ink that writes."
John Clare
Thank you for meeting me on 14 November 2006, at Fortress Hill.
Thank you for existing.





Little Miss Sunshine (2006, USA)
Directors: Jonathan Dayton, Valerie Faris
Running time: 101 mins

I like watching films and TV dramas about fucked-up people. They're especially humorous and witty and bitterly sweet. Six Feet Under, American Beauty, Weeds and I am glad that now I have Little Miss Sunshine on my list.

The film is sketpical about the contemporary American culture, which in many ways, the global culture. Yet, it's also a fucked-up culture: a father who is too obsessed with the idea of winning though he himself is a loser career-wise; a grandfather who is proud of fucking so many women and occasionally sneaks into the bathroom to snort some heroin; a daughter who is intoxicated by the beauty myth and dreams of the winner of a beauty pegeant; a son who refuses to talk until he enrols into the air force and draws the portrait of Nietchze; a suicidal gay uncle who is a well-known scholar on the French writer Marcel Proust.

Interestingly, the wife is the most normal person in the film. She is not uptight about her housework, not the kind of sad happy housewife we see in Desperate Housewives. She just smokes twice in the film - I smoke more than she does! So, she's perfectly fine.

It's an independent film and also another road movie. All road movies are about the road, from the starting point (Alburquerque, Nex Mexico) to the destination (California). During the course, the characters would have a Joycean epiphany (i.e. a recognition, an awakening). The film offers a chance for the typical dysfunctional American family to reunite their bonding among each other. The film is recommended - it's entertaining, quick, funny and unpretentious.

"Life is a beauty contest after one beauty contest". This is not original anymore. We, as adults, know that our lives are not any easier than the school days. We blamed our teachers for making our school life so hard, but we could not blame anyone but ourselves after we leave our dreary campus. The importance here is not 'contest', but 'beauty contest'. Everything is about 'visual' now. The New York Times earlier published an article saying a film degree is as worth studying as an MBA in any famous institutes worldwide simply because film studies allows you to analyze visual language, which bombards us every day. The daughter (Olive) is bombarded by the beauty of Miss America; the uncle (Frank) was depressed because his boyfriend ditched him for another nice looking Proust scholar with a Maserati. What is beauty? The film may offer an optional answer: family love. For me, I will leave Alan Ball's works to answer this question.

One thing I should take note of is the ending. The DVD bonus offers four more alternative endings, among which, there is a more crazy one, which talks about how the family steals the trophy and the crown of the beauty contest despite the daughter's fucked-up talent performance onstage. I personally would like this ending rather than the official one, which is too predictable, too safe and too neat.