一日一黑之電話壞了
今朝一起身,部電話read唔到張sim card,於是頭都唔梳,T恤短褲加拖鞋就落街。去咗屋企樓下間PCCW,check咗張Sim card,話無事,於是便污污wear wear咁去銅鑼灣 nokia,先附百二蚊開機費,然後等報價,身又濕,肚又餓,又無電話,對拖鞋又「線」腳,十分無助,想大喊出來,夠啦,忍夠啦,黑成咁,做乜能嘢呀?報價後要千二蚊先整到部電話,好地地,又要先一筆錢,就算唔整都要買部新架啦,頂。好嬲呀!
Tuesday, May 22, 2007
Monday, May 21, 2007
Sunday, May 20, 2007
Friday, May 18, 2007
一日一黑之治水記。今日突然之間收到電話,得知在番禺的家爆水管,水浸了,雙親已趕急回去視察災情,滔滔千里染番禺,保你大,啱啱先買咗SONY plasma,求神拜佛唔好壞。
今晚都OK crazy,鮮有地去了 Stella McCartney的派對,超熱,Grand Hyatt的 catering不行,但環境尚算新鮮,和友人飲香檳 (熱的)和吹吹水也挺可以。臨走還收了一份 Skin care 的 sounvenir,最適合我不過。可惜打的走時有名門插隊,我大喝,但他們聽不到。之後和Leon 及 Audrey去唱K,What a crazy night! 我生活得蠻開心呀!
近期最尊重的行業:New Face Sogo舊址的新商場楝了幾個着天使衫的女子截住你,要你拐一個彎方可離開,我稱之為 Blocking Angels。我相信她們下一份工可以到喜喜做 bouncers。
急凍冷知識:<溏心風暴>的英文叫 Heart of Greed。
今晚都OK crazy,鮮有地去了 Stella McCartney的派對,超熱,Grand Hyatt的 catering不行,但環境尚算新鮮,和友人飲香檳 (熱的)和吹吹水也挺可以。臨走還收了一份 Skin care 的 sounvenir,最適合我不過。可惜打的走時有名門插隊,我大喝,但他們聽不到。之後和Leon 及 Audrey去唱K,What a crazy night! 我生活得蠻開心呀!
近期最尊重的行業:New Face Sogo舊址的新商場楝了幾個着天使衫的女子截住你,要你拐一個彎方可離開,我稱之為 Blocking Angels。我相信她們下一份工可以到喜喜做 bouncers。
急凍冷知識:<溏心風暴>的英文叫 Heart of Greed。
今日去了黃大仙轉運,希望成功啦。求了兩支簽,又等了成粒鐘先輪到我和Leon解簽。前面有兩個鬼佬拖住個中國女子睇相。個鬼佬見到我哋行埋去張到,就用兩隻手指公指住自己,然後又指住解簽阿姐張枱,示意我們不能打尖。,勁rude,做乜遮,而家唔識英文咩?
工作為第四十一簽,上簽,古人張騫獲寶石。
浮槎月夜到天河
曾見仙姬織錦梭
石得支機人罕識
那知此實出雲窩
內容是指現在還是一舊雲,不知去向,農曆六七月七姐賜寶石後就有轉機,仲要係好到不得了。咁拜托哂啦,阿七姐。
感情為第二十二簽,下簽,古人王維別友。
秋水依人各一方
天南地北恨偏長
相思試問憑誰寄
不盡悽涼狂斷腸
內容是指今年姻緣得個吉 (又得個吉?),來一個走一個,凡事強行則自己揸住兩碗眼淚收場,寄情於事業吧!
臨走前買了個風車,轉轉轉,轉個好運來,揸住個風車去溥儀睇個V&R眼鏡,個Sales勁大鼻,問四句先答一句,個眼鏡先至係二千幾蚊,乜好貴咩?當正自己係皇帝。
工作為第四十一簽,上簽,古人張騫獲寶石。
浮槎月夜到天河
曾見仙姬織錦梭
石得支機人罕識
那知此實出雲窩
內容是指現在還是一舊雲,不知去向,農曆六七月七姐賜寶石後就有轉機,仲要係好到不得了。咁拜托哂啦,阿七姐。
感情為第二十二簽,下簽,古人王維別友。
秋水依人各一方
天南地北恨偏長
相思試問憑誰寄
不盡悽涼狂斷腸
內容是指今年姻緣得個吉 (又得個吉?),來一個走一個,凡事強行則自己揸住兩碗眼淚收場,寄情於事業吧!
臨走前買了個風車,轉轉轉,轉個好運來,揸住個風車去溥儀睇個V&R眼鏡,個Sales勁大鼻,問四句先答一句,個眼鏡先至係二千幾蚊,乜好貴咩?當正自己係皇帝。
Thursday, May 17, 2007
一日一黑之失業記。正確來說我不是失業,正職還是讀緊書。一生以為無咗英皇份office work,可以勤力點做 freelance保數,但今日又收到個電話,說我也可以收皮了,原因是他們計劃有變。變變變,他們那班九屁不通的高層,比蔡依林還厲害,七十二變也不夠。白白無咗皮幾嘢。不是說今年屬馬會好的嗎?不是說今年水瓶座會好的嗎?有男人對我說,二十八歲,是時候建立自己的基礎,凡事不順,好辛苦,好怕自己畢業後找不到一份well-paid job,又是這樣呻,我自己也覺得煩。
成身的皮膚好像在撕裂的,轉個身也赤赤痛,情義結5月25日來了,let go吧!
阿B說:「你無工做,不如一齊去賣魚旦,或到crispy cream賣doughnuts?」
萬能俠說:「不行呀!要養家,加上沒有男人會喜歡這樣無成就的人。」
阿B問:「那個男人?」
萬能俠回答:「個個也是,這不是台灣MV,不要浪漫化吧!」
阿B繼續問:「那你不徬徨嗎?」
「誰不,換轉是你也會吧!」
「那你開心嗎?」
「普通吧,盡量令自己at peace with myself。這是我這刻唯一可以做的。」
萬能俠現在就是這樣生活了。
成身的皮膚好像在撕裂的,轉個身也赤赤痛,情義結5月25日來了,let go吧!
阿B說:「你無工做,不如一齊去賣魚旦,或到crispy cream賣doughnuts?」
萬能俠說:「不行呀!要養家,加上沒有男人會喜歡這樣無成就的人。」
阿B問:「那個男人?」
萬能俠回答:「個個也是,這不是台灣MV,不要浪漫化吧!」
阿B繼續問:「那你不徬徨嗎?」
「誰不,換轉是你也會吧!」
「那你開心嗎?」
「普通吧,盡量令自己at peace with myself。這是我這刻唯一可以做的。」
萬能俠現在就是這樣生活了。
Wednesday, May 16, 2007
Monday, May 14, 2007
Tuesday, May 08, 2007
很遲才起床,浪費了太陽。一開msn,見到有個自稱是vivian siu的朋友,block都block唔撤。天呀,近來究竟行什麼衰運?雙失兼潤月,就是潤多咗個癲婆,Vivian,真的,這世界多你一個唔多,少你一個則更和平,不如你去死吧。
另外,收到了以下email,Ok, I'll be there:
Dear Nicholas,
Although we have yet to receive your reply to our invitation, Dr Richards and I look forward to having you with us at the upcoming book launch. Moreover, we believe that your story, "Sucide with McDonald 'Suk Suk'", will no doubt be one of the most popular stories from this issue of YUAN YANG, we would therefore also like to invite you to read an excerpt of this story during the launch. We hope you could come and join us.
Looking forward to your reply.
Best regards,
Marina
另外,收到了以下email,Ok, I'll be there:
Dear Nicholas,
Although we have yet to receive your reply to our invitation, Dr Richards and I look forward to having you with us at the upcoming book launch. Moreover, we believe that your story, "Sucide with McDonald 'Suk Suk'", will no doubt be one of the most popular stories from this issue of YUAN YANG, we would therefore also like to invite you to read an excerpt of this story during the launch. We hope you could come and join us.
Looking forward to your reply.
Best regards,
Marina
Monday, May 07, 2007
Sulk. An interesting word. It reminds
me of sink. The ship sinks, the
sea sinks, the earth sinks. I sink.
I sing with sulk. I smoke hard,
leaving my teeth mark on the
yellow-wish filter, not letting go.
Was it yellow-wish, or brown, or
anything else? Something-wish can’t
be exact. Does it matter? To whom
and about what? Who could be exact?
I leaned my face near the low light at
my desk, reviewing my life in another
low light, a bigger one. I’m not anything,
not anything enough, as always. I am a
completed piece of art composed of
incomplete pieces, severely torn with
edges incompatible with each other.
Reminiscence haunts me near the ashtray:
body unembraced; moments unenjoyed.
me of sink. The ship sinks, the
sea sinks, the earth sinks. I sink.
I sing with sulk. I smoke hard,
leaving my teeth mark on the
yellow-wish filter, not letting go.
Was it yellow-wish, or brown, or
anything else? Something-wish can’t
be exact. Does it matter? To whom
and about what? Who could be exact?
I leaned my face near the low light at
my desk, reviewing my life in another
low light, a bigger one. I’m not anything,
not anything enough, as always. I am a
completed piece of art composed of
incomplete pieces, severely torn with
edges incompatible with each other.
Reminiscence haunts me near the ashtray:
body unembraced; moments unenjoyed.
很多東西做,很多事情發生,要做萬能俠,才能應付得來。我自己要支持着自已。
From Jeanette Winterson's The. Powerbook:
"My search for you, your search for me, is a search after something that cannot be found. Only the impossible is worth the effort. What we seek is love itself, revealed now and again in human form, but pushing us beyond our humanity into animal instinct and god-like success. The love we week overrules human nature. It has a wildness in it and glory that we want more than life itself. Love never counts the cost, to itself or others, and nothing is cruel as love. There's no love that does not pierce the hands and feet."
今晚很重要。希望自己不會倒下來。
From Jeanette Winterson's The. Powerbook:
"My search for you, your search for me, is a search after something that cannot be found. Only the impossible is worth the effort. What we seek is love itself, revealed now and again in human form, but pushing us beyond our humanity into animal instinct and god-like success. The love we week overrules human nature. It has a wildness in it and glory that we want more than life itself. Love never counts the cost, to itself or others, and nothing is cruel as love. There's no love that does not pierce the hands and feet."
今晚很重要。希望自己不會倒下來。
Saturday, May 05, 2007
這首詞填得很好,請花些少時間咀嚼
作曲:曲:周杰倫|填詞:林夕|編曲:Adam Lee|監製:李偉菘
有人在三更半夜 寂寞中 等待中
有人在光天化日 玩樂中 荒淫中
有人在天下太平 失戀中 失落中
有人在末日舞曲 遊戲中 快樂中
你是否一位觀眾 看著他們 有用 沒用
你是否一位觀眾 看著他們 有種 沒種
有人在黃金年齡 創業中 高潮中
有人在退休歲月 得道中 低調中
有人在患得患失 求學中 嘗試中 哪一位才是英雄
也許這些人們的 過程不同 目標相同
也許我們就在其中 也許都分別不大
心情不同 天下大同
也許他們只是兒童
一閃一閃 小小星星晃動
星光的朦朧 星光朦朧
千山萬水 正好裝飾你的夢
你的眼睛 正好裝飾你的星球
上的洞 成千上萬 黑色眼珠 正在互動的轉動
有人在地鐵車站 搜尋中 荒廢中
有人在人行道上 前進中 蜜運中
有人在廚房中央 麻木中 炒菜中
有人在睡房邊緣 吵罵中 衝突中
你看人家的時候 跟看自己 有何不同 有時候會不會心痛
作曲:曲:周杰倫|填詞:林夕|編曲:Adam Lee|監製:李偉菘
有人在三更半夜 寂寞中 等待中
有人在光天化日 玩樂中 荒淫中
有人在天下太平 失戀中 失落中
有人在末日舞曲 遊戲中 快樂中
你是否一位觀眾 看著他們 有用 沒用
你是否一位觀眾 看著他們 有種 沒種
有人在黃金年齡 創業中 高潮中
有人在退休歲月 得道中 低調中
有人在患得患失 求學中 嘗試中 哪一位才是英雄
也許這些人們的 過程不同 目標相同
也許我們就在其中 也許都分別不大
心情不同 天下大同
也許他們只是兒童
一閃一閃 小小星星晃動
星光的朦朧 星光朦朧
千山萬水 正好裝飾你的夢
你的眼睛 正好裝飾你的星球
上的洞 成千上萬 黑色眼珠 正在互動的轉動
有人在地鐵車站 搜尋中 荒廢中
有人在人行道上 前進中 蜜運中
有人在廚房中央 麻木中 炒菜中
有人在睡房邊緣 吵罵中 衝突中
你看人家的時候 跟看自己 有何不同 有時候會不會心痛
星期四,英皇一句揾到個full time就同我講bye bye。開頭有啲不憤氣,但後來覺得他們比我的損失還要大,反正成班高層扮Q哂嘢,nothing to lose。
晚上去了關錦鵬個book launch,見到Jason坐在導演旁邊說話,有點感動,一個MPhil生,做論文做到自己的偶像也認識自己,連Chris Berry也要quote 你,係很難得的機會。You're talented,信我吧!最愛你說的那一句:我們做的事不會賺大錢,但我們能人所不能。我們其實就應該是很noble。 我的偶像是誰? Woody Allen,王家衛和村上春樹。
今天去了最後一次conference,在又一城買了個紙包旦糕仔同一支烏龍茶,草草吃過就頂硬上。個Panel有個speaker放飛機,連埋我得番三條友,我present先,用彭氏兄弟的<見鬼>講眼的desire和split self。一如我所料,班audience對Lacan的objet petit a零知識,我也求求祈祈講完就算。跟住有個泰國人講泰國beach party的subculutre,本應幾有趣,但零arguments。連paper title都有兩個grammatical mistakes,雖然我知我要politically correct,但這未免難登大雅之堂吧!他quote了Edward Said的Orientalism,但又唔fit 落自己份文到。最後那個韓國女人都不錯,我和她也提及了Ringu (午夜凶鈐),但最敗筆還是說陳可辛是台灣導演,天噢,你來香港做conference,請把research做好點吧!
在此多謝Leon陪我去,希望不會悶親你吧。
對我好的人,我心知,我會記一世。
晚上去了關錦鵬個book launch,見到Jason坐在導演旁邊說話,有點感動,一個MPhil生,做論文做到自己的偶像也認識自己,連Chris Berry也要quote 你,係很難得的機會。You're talented,信我吧!最愛你說的那一句:我們做的事不會賺大錢,但我們能人所不能。我們其實就應該是很noble。 我的偶像是誰? Woody Allen,王家衛和村上春樹。
今天去了最後一次conference,在又一城買了個紙包旦糕仔同一支烏龍茶,草草吃過就頂硬上。個Panel有個speaker放飛機,連埋我得番三條友,我present先,用彭氏兄弟的<見鬼>講眼的desire和split self。一如我所料,班audience對Lacan的objet petit a零知識,我也求求祈祈講完就算。跟住有個泰國人講泰國beach party的subculutre,本應幾有趣,但零arguments。連paper title都有兩個grammatical mistakes,雖然我知我要politically correct,但這未免難登大雅之堂吧!他quote了Edward Said的Orientalism,但又唔fit 落自己份文到。最後那個韓國女人都不錯,我和她也提及了Ringu (午夜凶鈐),但最敗筆還是說陳可辛是台灣導演,天噢,你來香港做conference,請把research做好點吧!
在此多謝Leon陪我去,希望不會悶親你吧。
對我好的人,我心知,我會記一世。
Thursday, May 03, 2007
因為近日家裡的錄影機壞了,錄不了溏心風暴,這是繼金枝玉孽後最有劇力的電視劇。紅的就是一班甘草。網上已經有一班cult fans去討論李司棋和關菊英,連主題曲也來了個 DIY remix。Cult fans真不可低估。很期待加州紅快D有這首歌唱,so far,今年大熱的只有電燈膽和這首:
關菊英 <講不出聲>
http://web.mac.com/infrontcc/iWeb/djax/1.html
關菊英 <講不出聲>
http://web.mac.com/infrontcc/iWeb/djax/1.html
Monday, April 30, 2007
3:33am,很無聊,整理一下自己的CV。這兩年來的學術output如下 (不能稱之為成績,output是一個比較客觀的用字):
Articles
“From Rose Mary to Rolls Royce: Denise Ho x Wyman Wong. Queerness in Denise Ho’s Music” in Fe/male Bodies. Debut Issue. November 2005. Kubrick: Hong Kong. pp 62-8.
“The Carnal Hand and Fetishism in Wong Kar-wai’s The Hand” in Cinema in/on Asia. (ed) Shin Dong Kim and Joel David. Asian Culture Forum 2006. Gwangju, Korea. pp. 279-94. (Winner of the best three graduate papers presented in the panel “Whither the Orient” at Asia Culture Forum 2006).
Creative Works
“The Importance of Having an ‘R’”
Yuan Yang, 2001 June. English Department. The University of Hong Kong: Hong Kong.
Moving Poetry. 2002 Summer. Edited by Shirley Lim and Page Richards. Hong Kong University Press: Hong Kong.
Also appeared in Shirley Lim’s essay “Cultural Imagination and English in Hong Kong”. Asian Englishes Today. Hong Kong English. Autonomy and Creativity. Edited by Kingsley Bolton. 2002. Hong Kong University Press: Hong Kong.
“Haruki Murakami. A Spring Tree Above the Village”
Yuan Yang, 2001 June. English Department. The University of Hong Kong. Hong Kong.
Karawane:A Journal of Experimental Performing Texts. Issue 9. 2007 (10th Anniversary Issue). p. 31.
“The Evolution of Beard”, “Hymen” and “City of Sameness” in Fe/male Body: Bodywise. July 2006. Kubrick: Hong Kong.
“The Evolution of Beard”, “Hymen”, “City of Sameness”, “Fingernails”, “The Lunatic’s Penis” and “Suicide with McDonald Suk Suk” in Special Hong Kong Edition of Asia and Pacific Writers’ Network (APWN). (ed) Xu Xi. November 2006.
Links:
http://www.apwn.net/index.php?/writing/more/fingernails/
http://www.apwn.net/index.php?/writing/more/the_lunatics_penis/
http://www.apwn.net/index.php?/writing/more/hymen/
http://www.apwn.net/index.php?/writing/more/the_evolution_of_beard/
http://www.apwn.net/index.php?/writing/more/city_of_sameness/
http://www.apwn.net/index.php?/writing/more/suicide_with_mcdonald_suk_suk/
“Suicide with McDonald Suk Suk”
Yuan Yang. Vol. VII, no. 1. 2006 Decmeber. Department of English, The University of Hong Kong. Hong Kong. pp. 9-14.
Featured poet of The Other Voices International Project. Vol. 26. 2007 (http://www.othervoicespoetry.org/vol26/nwong/index.html)
Film Reviews
On Wong Kar-wai’s The Hand. Scope. An online journal of film studies. Issue 4. February 2006. Institute of Film Studies. University of Nottingham. http://www.scope.nottingham.ac.uk/filmreview.php?issue=4&id=123
Conference Presentations
“When Eros Lies in The Hand of Wong Kar-wai”. The 27th Annual Meeting of the Southwest Texas Popular Culture and American Popular Culture. Albuquerque, New Mexico. 8-11 February 2006. (Speaker)
“A Different Kind of Friendship – Reading the Homosocial in Johnnie To’s Election”. The Film Scene: Cinema, The Arts, and Social Change. The University of Hong Kong, Hong Kong. 21-22 April 2006. (Speaker)
“The Carnal Hand and Fetishism in Wong Kar-wai’s The Hand”. “Wither the Orient” in Asia Culture Forum. Kimdaejung Convention Centre in Gwangju, Korea. 26-29 October 2006. (Speaker)
“Nations in Transition” in Asia Culture Forum. Kimdaejung Convention Centre in Gwangju, Korea. 26-29 October 2006. (Discussant)
“The Obsession of the Ears: Reading Haruki Murakami’s Blind Willow, Sleep Woman and A Wild Sheep Chase” in Postgraduate Departmental Seminar. Department of Comparative Literature, The University of Hong Kong. Hong Kong. April 24 2007. (Speaker)
“Reading the Eye as a Haunting and Desirable Organ” in The 2007 International Conference on Inter-Asian Culture, Communication, Conflict, and Peace. City University of Hong Kong. Hong Kong. 4-5 May 2007. (Speaker)
Articles
“From Rose Mary to Rolls Royce: Denise Ho x Wyman Wong. Queerness in Denise Ho’s Music” in Fe/male Bodies. Debut Issue. November 2005. Kubrick: Hong Kong. pp 62-8.
“The Carnal Hand and Fetishism in Wong Kar-wai’s The Hand” in Cinema in/on Asia. (ed) Shin Dong Kim and Joel David. Asian Culture Forum 2006. Gwangju, Korea. pp. 279-94. (Winner of the best three graduate papers presented in the panel “Whither the Orient” at Asia Culture Forum 2006).
Creative Works
“The Importance of Having an ‘R’”
Yuan Yang, 2001 June. English Department. The University of Hong Kong: Hong Kong.
Moving Poetry. 2002 Summer. Edited by Shirley Lim and Page Richards. Hong Kong University Press: Hong Kong.
Also appeared in Shirley Lim’s essay “Cultural Imagination and English in Hong Kong”. Asian Englishes Today. Hong Kong English. Autonomy and Creativity. Edited by Kingsley Bolton. 2002. Hong Kong University Press: Hong Kong.
“Haruki Murakami. A Spring Tree Above the Village”
Yuan Yang, 2001 June. English Department. The University of Hong Kong. Hong Kong.
Karawane:A Journal of Experimental Performing Texts. Issue 9. 2007 (10th Anniversary Issue). p. 31.
“The Evolution of Beard”, “Hymen” and “City of Sameness” in Fe/male Body: Bodywise. July 2006. Kubrick: Hong Kong.
“The Evolution of Beard”, “Hymen”, “City of Sameness”, “Fingernails”, “The Lunatic’s Penis” and “Suicide with McDonald Suk Suk” in Special Hong Kong Edition of Asia and Pacific Writers’ Network (APWN). (ed) Xu Xi. November 2006.
Links:
http://www.apwn.net/index.php?/writing/more/fingernails/
http://www.apwn.net/index.php?/writing/more/the_lunatics_penis/
http://www.apwn.net/index.php?/writing/more/hymen/
http://www.apwn.net/index.php?/writing/more/the_evolution_of_beard/
http://www.apwn.net/index.php?/writing/more/city_of_sameness/
http://www.apwn.net/index.php?/writing/more/suicide_with_mcdonald_suk_suk/
“Suicide with McDonald Suk Suk”
Yuan Yang. Vol. VII, no. 1. 2006 Decmeber. Department of English, The University of Hong Kong. Hong Kong. pp. 9-14.
Featured poet of The Other Voices International Project. Vol. 26. 2007 (http://www.othervoicespoetry.org/vol26/nwong/index.html)
Film Reviews
On Wong Kar-wai’s The Hand. Scope. An online journal of film studies. Issue 4. February 2006. Institute of Film Studies. University of Nottingham. http://www.scope.nottingham.ac.uk/filmreview.php?issue=4&id=123
Conference Presentations
“When Eros Lies in The Hand of Wong Kar-wai”. The 27th Annual Meeting of the Southwest Texas Popular Culture and American Popular Culture. Albuquerque, New Mexico. 8-11 February 2006. (Speaker)
“A Different Kind of Friendship – Reading the Homosocial in Johnnie To’s Election”. The Film Scene: Cinema, The Arts, and Social Change. The University of Hong Kong, Hong Kong. 21-22 April 2006. (Speaker)
“The Carnal Hand and Fetishism in Wong Kar-wai’s The Hand”. “Wither the Orient” in Asia Culture Forum. Kimdaejung Convention Centre in Gwangju, Korea. 26-29 October 2006. (Speaker)
“Nations in Transition” in Asia Culture Forum. Kimdaejung Convention Centre in Gwangju, Korea. 26-29 October 2006. (Discussant)
“The Obsession of the Ears: Reading Haruki Murakami’s Blind Willow, Sleep Woman and A Wild Sheep Chase” in Postgraduate Departmental Seminar. Department of Comparative Literature, The University of Hong Kong. Hong Kong. April 24 2007. (Speaker)
“Reading the Eye as a Haunting and Desirable Organ” in The 2007 International Conference on Inter-Asian Culture, Communication, Conflict, and Peace. City University of Hong Kong. Hong Kong. 4-5 May 2007. (Speaker)
Saturday, April 28, 2007
Friday, April 27, 2007

yUAN YANG VOL 7出啦,我的故事乃是劣作,但不竟也是虛榮吧。
另外還有一本関錦鵬的書會出,雖然不大愛阿關的電影,但也應支持下,因為有Jason和張美君的文章吧。http://lib.hku.hk/friends/reading_club/bt2007_6.html
現在正讀老細講無間道的新書,頗informative,不太難。 值得一看。
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